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Thirty-six lessons on tongue and pulse, in five modules. Start with today's flashcards, then read the next lesson, and practise in between in the visual trainer.

The visual trainer

Illustrated tongues, animated pulse models and cases: practise until you no longer confuse them.

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Learning path

Five modules: tongue, pulse, reading together, organ by organ and going deeper

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XP: 100 per lesson, 300 per exam, 5 per quiz question you get right first time, 2 per flashcard and 10 when your deck for the day is empty. Your streak counts days with activity; one rest day a week does not break it. Everything is saved in this browser. Sources: The Foundations of Chinese Medicine (3rd edition); anything outside it is labelled, and evidence has been checked in PubMed, with a DOI link.

Module 1   Lesson 2   She Se

The colour of the tongue body

What colour is the tongue body, and what does it say about Qi, Blood, Yin, Yang and Heat?

After this lesson you can read the colour ladder from Pale to Blue with all the steps in between, separate the three kinds of Pale and the two kinds of Red, read colour by area and through the coating, recognise a colour that changes, say what light and camera do to colour, and name the colours that are a medical question first.

Maciocia ch. 23 pp. 324 to 328
Step 1   The picture

The colour ladder

The colour of the tongue body comes from the Blood flowing through it. If there is too little Blood to give colour, or too little Yang to pump it round, the tongue turns Pale. Heat makes it redder, and the deeper the Heat, the darker the red. If the Blood stagnates, it turns Purple, and with severe Cold, Blue.

pale
Schematic: Pale. Deficiency of Qi, Blood or Yang.
pale-red
Schematic: Pale-Red. The normal colour.
red
Schematic: Red. Heat; the coating says whether it is full or empty.
deep-red
Schematic: Deep-Red. Heat that sits deeper and lasts longer.
reddish-purple
Schematic: Reddish-Purple. Stasis with Heat.
bluish-purple
Schematic: Bluish-Purple. Stasis with Cold.
blue
Schematic: Blue. Severe Cold or stasis; with blue lips, lack of oxygen first.

Schematic; your screen differs from a real tongue, and real tongues have in-between shades. Arrangement following ch. 23 tongue, pp. 324 to 328; the interpretations are textbook.

Know by heart

  • The ladder. Pale: Deficiency. Pale-Red: normal. Red: Heat. Deep-Red: Heat that sits deeper. Reddish-Purple: stasis with Heat. Bluish-Purple: stasis with Cold. Blue: severe Cold or stasis; mnemonic: too little paint is pale, fire colours red, standstill colours purple.
  • Three kinds of Pale. Slightly Pale: Qi deficiency. Pale, Thin and slightly dry: Blood deficiency. Pale, wet and Swollen: Yang deficiency; mnemonic: dry lacks Blood, wet lacks fire.
  • Two kinds of Red. Red with coating, especially yellow: Full-Heat. Red with little or no coating: Empty-Heat from Yin deficiency. Normal colour without coating: Yin deficiency that does not yet give Heat; mnemonic: first the moss goes, then the soil turns red.
  • Deep-Red. With coating: severe Full-Heat. Without coating: severe Yin deficiency with Empty-Heat. With fever: Heat at the level of Ying and Blood.
  • Colour by area. Tip redder: Heat in the Heart. Sides redder: Liver and Gall-Bladder. Sides Pale: Liver-Blood deficiency. Purple on the sides: stasis in the Liver.
  • Looking at colour. Look at the edges and the tip, where the coating is thin; daylight, put out briefly; the body changes over weeks, so a change of colour within a few days is something you distrust first.
  • Red flags. Blue with breathlessness: emergency services (112 in Europe, 999 in the UK, 911 in North America). Deep-Red and dry with high fever and drowsiness: a doctor straight away. Smooth, red and burning: iron, B12 and folate. Very Pale with tiredness, breathlessness or blood loss: Hb.

The rest of this lesson is reference.

Step 2   Refer first

Colours that are a medical question first

Before any TCM interpretation. Every colour on the ladder has a medical double. You check that first; only then do you read the colour in TCM terms. General medical knowledge.

ColourWithThink ofWhat first
Very Paletiredness, short of breath on exertion, palpitations, heavy periods, black stoolsanaemia, blood lossGP or primary care doctor: Hb, ferritin; black stools the same day
Smooth Red, papillae goneburning feeling, tingling, vegetarian or vegan diet, stomach acid inhibitors or metforminB12, iron or folate deficiencyGP: blood test
Deep-Red, dryhigh fever, drowsiness, confusion, an older or vulnerable clientserious infection, dehydrationa doctor straight away
Bright red with coarse pointsa child with fever; red eyes, red lips, fever for five days or longerscarlet fever; Kawasaki diseasethe same day
Blue or Bluish-Purpleblue lips, shortness of breath, chest painlack of oxygenemergency services (112)
Bluish, for a long timea known heart or lung disease, smokingchronic lack of oxygenknown to the GP? Otherwise have it checked

Not from the book; general medicine.

Step 3   The ladder

Colour by colour: what it looks like, what it means, what decides

A beginner recognises the colours best by a comparison. Choose a colour.

Colour through the coating. You read the colour of the muscle, not of the layer. Where the coating is thin, at the edges and the tip, the muscle shows through. If the coating is thick everywhere, look at the edges, the tip and the underside, and write "body poorly visible" in your report instead of guessing a colour.

Step 4   Pale

Three kinds of Pale, and what separates them

Qi
Schematic: slightly Pale, otherwise normal. Qi deficiency.
Blood
Schematic: Pale, Thin, slightly dry. Blood deficiency.
Yang
Schematic: Pale, Swollen, wet. Yang deficiency.
Qi deficiencyBlood deficiencyYang deficiency
Colourslightly PalePale, sometimes mainly the sidesPale
Shapenormal, sometimes teeth marksThinSwollen, often teeth marks
Moisturenormalslightly drywet
Logicthe strength to give colour is somewhat lesstoo little substance: less colour and less fillingtoo little fire: the fluid is not transformed and stays in the tongue
In the historytired, poor appetite, weak voicedizzy on standing up, blurred vision, dry skin, scanty periods, difficulty falling asleepchilly, cold hands and feet, watery stools or urinating at night
PatternsSpleen-Qi deficiency; Lung- and Wei-Qi deficiencyLiver-Blood deficiency; Heart-Blood deficiencySpleen-Yang deficiency; Kidney-Yang deficiency

Textbook. Spleen-Yang and Kidney-Yang deficiency have the same tongue; where the cold sits is told by the history.

Step 5   Red

Full- and Empty-Heat, and the road between them

Red is Heat. Whether that Heat comes from an excess or from a lack of Yin is told by the coating. In Full-Heat there is a pathogen or an accumulated fire, and there is a coating, often yellow. In Empty-Heat the Yin is exhausted; the Stomach then no longer makes a coating either, and the tongue becomes bare.

full
Schematic: Red, thick yellow coating, dry. Full-Heat.
Yin
Schematic: normal colour, without coating. Yin deficiency, still without Empty-Heat.
empty
Schematic: Red, without coating, dry. Yin deficiency with Empty-Heat.
deep
Schematic: Deep-Red, without coating, dry, cracked. Severe Yin deficiency with Empty-Heat.
  1. First the moss goes. In beginning Yin deficiency the coating becomes thinner, bare in places, while the body still has a normal colour.
  2. Then the soil turns red. If the Yin runs down further, Empty-Heat arises and the bare tongue turns Red.
  3. Then it turns dark and dry. In severe Yin deficiency it becomes Deep-Red, dry and sometimes cracked.

Why this distinction counts. Full-Heat calls for clearing. Empty-Heat calls for nourishing Yin; if you only cool, you use up the Yin that is already lacking. Reading Red without coating as Full-Heat is therefore one of the costliest mistakes in tongue diagnosis.

Textbook. Deep-Red with fever: the Heat has reached the level of Ying or Blood (Four Levels); that picture belongs to an acute, serious illness and so goes to the doctor first.

Step 6   Colour by area

A different colour in one place

Often it is not the whole tongue that is different but one area. Then the colour says what is going on and the area says where. The map itself, with the variants between sources, is in lesson 7.

tip
Schematic: Pale-Red, tip redder.
red
Schematic: Pale-Red, sides redder.
pale
Schematic: Pale-Red, sides Pale.
purple
Schematic: Pale-Red, sides Purple.
WhereColourInterpretation (textbook)Ask as well
TipredderHeat in the Heart; stronger with red points; common with emotional strainsleep, restlessness, palpitations, mouth ulcers; yellow coating (full) or none (empty)?
Tip and sidesredder, with a thin coatingHeat on the exterior: Wind-Heatacute, sore throat, fever, aversion to wind
SidesredderHeat in Liver and Gall-Bladder; only the sides: stagnation that turns hot; whole tongue Red with yellow coating: Liver-Fireirritable, headache at the temples, bitter taste
SidesPaleLiver-Blood deficiencyblurred vision, cramps, brittle nails, scanty periods
SidesPurpleBlood stasis in the Liverfixed, stabbing pain in the flank or lower abdomen; periods with clots
Centreredder, often with a dry yellow coatingStomach-Heathunger, thirst for cold drinks, heartburn, bad breath

Textbook. In most maps the sides are Liver and Gall-Bladder over almost the whole length; some sources assign a broader strip in the middle of the sides to the Spleen (lesson 7).

Step 7   Colour over time

A colour that changes, and what really changed

The body changes slowly, over weeks. A real change of colour therefore tells you something about the foundation. A sudden change within a few days is something you distrust first: light, time of day, drinking and putting the tongue out can do the same.

FromToMeaning (textbook)
Pale-RedRedHeat arises: from stagnation, from a pathogen moving inwards, or from Yin running out
normal, bareRed, bareYin deficiency becomes Yin deficiency with Empty-Heat
RedDeep-Redthe Heat moves deeper and uses up more Yin
RedReddish-PurpleHeat thickens the Blood: stasis is added
PalePale with a purple tingea deficiency that no longer moves the Blood
Red or Paleslowly back to Pale-Redrecovery; the foundation comes into balance

Light and camera. Colour is the hardest thing on the whole tongue to see. Warm lamplight makes red redder, a phone camera adjusts the colours by itself, and two people see the same colour differently. So look in daylight, briefly, and above all compare a client with themselves. If you follow up with photos, compare mainly the coating and take the colour of the body with a pinch of salt; the protocol is in lesson 1.

Ch. 23 tongue, pp. 324 to 328: read which colours the book distinguishes, how it divides Pale, Red and Purple, and whether it treats Blue and Purple separately. Compare with the chooser in step 3.

Step 8   Case

Two Pale tongues, two patterns

Anna
Schematic: Anna's tongue. Pale, Thin, slightly dry, thin white coating.
Henk
Schematic: Henk's tongue. Pale, Swollen, wet, thin white coating.

Anna, 34. Seven months after giving birth, breastfeeding. Dizzy on standing up, blurred vision in the evening, dry skin and hair, calf cramps at night, her periods have returned but are scanty. Has difficulty falling asleep. Not chilly.

Henk, 63. Chilly for years, cold lower back and knees, tired and listless, urinates twice a night, clear urine. Appetite and stools normal.

First. Anna: anaemia after giving birth is common; Hb and ferritin, and the thyroid (it can become unbalanced after giving birth). Henk: urinating at night in a man of 63 can come from the prostate or from blood sugar; chilliness and listlessness also from an underactive thyroid. A GP. General medical knowledge.

Alike

Both Pale: both Deficiency. On colour alone they cannot be told apart.

Shape and moisture

Anna: Thin and slightly dry, too little substance to fill and colour: Blood deficiency. Henk: Swollen and wet, too little fire to transform the fluid: Yang deficiency.

Anna's history

Eyes, tendons (cramps), periods and dryness point to the Liver, which stores the Blood; the blood loss at the birth and the breastfeeding point to the cause. The difficulty falling asleep fits a Heart that is also getting too little Blood.

Henk's history

Cold in the lower back and knees and urinating at night point to the Kidneys, not to the Spleen: appetite and stools are normal.

Pattern

Anna: Liver-Blood deficiency, with the Heart involved. Henk: Kidney-Yang deficiency.

Neighbours

Anna versus Heart-Blood deficiency alone: then palpitations, poor memory and difficulty falling asleep come first, without the eyes and cramps. Henk versus Spleen-Yang deficiency: then the cold sits in the abdomen, with watery stools.

Principle

Anna: nourish Liver-Blood. Henk: warm Kidney-Yang.

The learning point: Pale says Deficiency, but which deficiency is told by shape and moisture, and which organ by the history.

Step 9   Reasoning

Colour plus coating: Heat, Cold, Deficiency or Excess?

Choose the colour of the body and the coating. The builder gives the reading in the Eight Principles and the question you ask next.

Step 10   Read for yourself

Eight tongues: which colour, and what does it say?

For each tongue, first name the colour with a word from the ladder, then what the coating and the moisture add, and only then the interpretation. Then choose A to H to compare your reading.

A
Schematic, tongue A.
B
Schematic, tongue B.
C
Schematic, tongue C.
D
Schematic, tongue D.
E
Schematic, tongue E.
F
Schematic, tongue F.
G
Schematic, tongue G.
H
Schematic, tongue H.

Practise further in the visual trainer: Read the tongue.

Step 11   Practice

Interpreting colour

Flashcards

Step 12   Pitfalls

Where it goes wrong

  • Reading Red without coating as Full-Heat. Then you cool a Yin that is already lacking.
  • Reading Pale as one thing. You separate Qi, Blood and Yang by shape and moisture, not by the shade.
  • Reading the colour of the coating. A yellow coating on a Pale tongue does not make the tongue Red. Read the muscle at the edges.
  • Mixing up Deep-Red and Reddish-Purple. Look for the blue glow: that makes it purple, and so stasis.
  • Believing a fast change of colour. The body changes over weeks; check the circumstances first.
  • Always reading Purple as stasis. Cold at that very moment, smoking and lack of oxygen add colour too.
  • Colour without the history. Pale in Anna and in Henk: the same colour, two patterns.
Step 13   Bridge to physiology

Colour as a measurement, as a hypothesis

Pale and the Hb grade B

In 390 patients a very Pale tongue was the best clinical sign of severe anaemia (likelihood ratio 9.9 at Hb below 7 g/dl), but agreement between two assessors was low (Kalantri 2010). On standardised photos of 533 women, tongue and face were measurably less red in anaemia (Fu 2025, cross-sectional). B for the link with the Hb; that Pale equals Blood deficiency is C. Testable via Hb, ferritin and MCV alongside a blinded judgement of paleness.

Red and blood flow grade B

In 1,711 participants the tongue became clearly redder in warm, humid months in people with diabetes, high blood pressure and heart disease, while the tongue colour of people without diabetes stayed stable all year (Zhang 2026, cross-sectional; abstract). Hypothesis: redness partly reflects blood flow and the response of the small vessels to warmth. B for the link, C for "Red is Heat". Testable via tongue colour alongside skin temperature, blood pressure and inflammatory markers, in the same people in summer and winter.

Purple and stasis grade B

In 38 Kampo patients a dark edge and tip and a bluish edge and back of the tongue were associated with wider veins under the tongue; together they distinguished blood stasis better than each on its own (Morita 2022, cross-sectional; abstract). B for the link between purple and the veins; what "stasis" is in physiology remains an open question (C). Testable via tongue colour and vein width alongside clotting values, viscosity or microcirculation.

Proposals, not equations. For all studies only the abstract was read. Something to think about: which colour of the ladder would you set against a blood value first, and which blood value?

Step 14   Discussion

Discussion questions

Discuss them with your study group, your teacher or an experienced acupuncturist.

  1. Where do you draw the line between Pale-Red and Red, and between Red and Deep-Red? Do you have a comparison for it that a colleague uses too?
  2. A Red tongue with a thin white coating: how do you decide whether the Heat is full or empty, and which questions help?
  3. In your experience, how long does it take for a Pale tongue to become Pale-Red again, and what changes earlier?

Prof Hu Chinese Medicine: 190. UJ online lectures:29 Diagnostics Tongue Diagnosis Tongue Colours (27 min)

Giovanni Maciocia: Reading the Purple Tongue: Blood Stasis Diagnosis (14 min)

AcuPro Academy: Tongue Diagnosis in Chinese Medicine (10 min)

Prof Hu follows the standard Chinese textbook line; Maciocia presents the line of the book.

Done

Finish the lesson

Work through the practice questions until you get them all right first time, then mark the lesson as done below; your flashcards then go into your review deck. If you have the book, read the required pages shown in the book box at the top.

Module 2   Lesson 1   Qie Mai

Feeling the pulse: position, depth and technique

Where do you place your fingers, how deep do you press, and what does a healthy pulse feel like?

After this lesson you can explain why the pulse is taken at the wrist, you find the three positions and adapt your grip to the arm, you know the two common maps of the organs, you work with three levels and three movements to a fixed protocol, you recognise the features of a healthy pulse and the variants of the vessel, and you know which findings go to a doctor first.

Maciocia ch. 25 pp. 374 to 380
Step 1   The picture

Where, how deep, and what is healthy

Three questions for every pulse, in this order: where are your fingers, at which depth do you feel what, and how does that compare with a healthy pulse?

Where How deep What is healthy hand cun: index finger above the diaphragm guan: middle finger diaphragm to navel chi: ring finger navel to feet bone on the thumb side: middle finger beside it finger skin light medium deep artery bone lifting (ju): light searching (xun): medium pressing (an): deep, to just above the bone 神 Shen supple, strong, regular missing: hard or chaotic 胃气 Stomach-Qi calm, even; 4 to 5 beats per breath of your own missing: sharp, hard or empty 根 Root felt at chi on deep pressure missing: yields under pressure
Schematic. Positions and body regions after Nan Jing 18; the three levels after Nan Jing 4 and 5; the techniques and the three features of the healthy pulse are textbook; the rate after Su Wen 18. How the book works them out: ch. 25 pp. 374 to 380.
lightmediumdeep0 s1 s2 s3 s4 s70/minhealthy
Pulse report
Depthat all three levels, fullest in the middle
Rateabout 70 per minute (normal)
Rhythmregular
Widthnormal
Lengthacross the three positions
Strengthpushes back calmly
Smoothnesssupple and even
Tensionsupple
Schematic: a healthy pulse in three layers. Already felt at the light level, fullest in the middle, still clear at depth: that is the root.

Know by heart

  • Why the wrist. At the cun kou, the Lung channel at the wrist, all the vessels meet (Nan Jing 1), and there the Stomach-Qi that nourishes all the organs shows itself (Su Wen 11); mnemonic: one artery, the whole body.
  • The grip. Middle finger first on guan, next to the protruding bone on the thumb side; index finger on cun, towards the hand; ring finger on chi. Fingertips in one line, feeling with the pad; further apart on a long arm; mnemonic: middle on the bone, the rest follows.
  • Three positions. Cun: above the diaphragm. Guan: diaphragm to navel. Chi: navel to feet (Nan Jing 18). In every map left Heart, Liver, Kidney and right Lungs, Spleen, Kidney (Ming Men); the Fu shift from map to map.
  • Three levels, five depths. Light, medium, deep; in beans 3 Lungs, 6 Heart, 9 Spleen, 12 Liver, to the bone Kidneys (Nan Jing 5). You find the deep level by pressing until the pulse disappears and releasing until it just comes back.
  • Three movements. Lifting (ju), searching (xun), pressing (an); first three fingers together (zong an), then each separately (dan an); on each side at least fifty beats or one minute; mnemonic: lift, search, press; together, apart; fifty.
  • The healthy pulse. Shen: supple, with strength, regular. Stomach-Qi: calm and even, 4 to 5 beats per breath of your own, about 60 to 90 per minute. Root: felt at chi on deep pressure.
  • Red flags. Pulse weaker or absent on one side: blood pressure on both arms, with a difference of 10 mmHg or more to a GP or primary care doctor. Cold, pale, painful or numb hand without a pulse: emergency services (112 in Europe, 999 in the UK, 911 in North America). Irregularly irregular: ECG. Rapid at rest with chest pain, breathlessness or fainting: emergency services (112).

The rest of this lesson is reference.

Feeling is learnt in real life. You practise the looking and feeling itself with people, under a teacher's guidance; this lesson trains the reading and the reasoning. A teacher can put their fingers next to yours on the same pulse and say what you are feeling; no text or drawing can do that. Count on years, not weeks.

Step 2   Refer first

What your fingers find that is not a pulse picture

Red flags first. Your fingers lie on an artery. What you sometimes find there belongs with a doctor, not in a pulse report. General medical knowledge, before any TCM interpretation.

What you feel and seeCould also beWhat first
No pulse, with a cold, pale, painful or numb hand or armacute blockage of an arteryemergency services (112)
The pulse is clearly weaker on one sidenarrowing of an artery to the arm, vascular diseaseblood pressure on both arms, simultaneously or straight after each other; a difference of 10 mmHg or more: GP
No pulse at the usual place, everything else normalan artery that runs differently (step 7)search around it; if in doubt, blood pressure on both arms
Irregularly irregularatrial fibrillationECG via a GP; with symptoms the same day
Rapid at rest, with chest pain, breathlessness, fainting or confusionarrhythmia, heart attackemergency services (112)
Barely palpable in a client who is ill, clammy or confusedshock, severe infectionemergency services (112)
Strikingly slow or fast, and the client takes medicationbeta blocker, thyroid medication, inhalernote it; then do not read the rate as Cold or Heat

Not from the book; general medicine. The figures on the difference between the arms are in step 12.

Step 3   Why at the wrist

From nine measuring points to one artery

The oldest texts feel in more places: the Su Wen describes nine measuring points spread over the head, arms and legs. The Nan Jing chooses one place, the cun kou ("the mouth of an inch"), and explains why that is enough.

Where the vessels meetThe cun kou lies on the Lung channel. There all the vessels meet (Nan Jing 1): the Lungs receive the blood of the whole body and distribute the Qi.
Where the Stomach shows itselfThe Stomach is the sea of water and grain and nourishes the five Zang; its Qi appears at the wrist, because the Lungs and Spleen share the same channel pair (Taiyin) (Su Wen 11).
Always within reachTextbook. The artery lies superficially here, above a firm floor of bone, and can be reached in anyone without undressing.

Classical references as paraphrase, not quotation. The nine measuring points: Su Wen 20.

Step 4   The palpation protocol

Ten steps, the same every time

  1. Rest. First sit for five minutes; after cycling, coffee or rushing, the pulse is faster and fuller. Classically: early in the morning, before eating (Su Wen 17); otherwise note the time.
  2. Posture. Arm relaxed at heart height, palm up; nothing constricting.
  3. Your own breath. Breathe calmly: in the tradition your breathing is the clock (Su Wen 18). Count with a watch as well.
  4. Middle finger first. On the artery next to the protruding bone on the thumb side: guan.
  5. Index and ring finger. Index finger on cun, at the wrist crease; ring finger on chi, towards the elbow.
  6. Adapt to the arm. Long arm: further apart; short arm: closer together; young child: one finger rolling over the positions.
  7. The fingers themselves. Slightly bent, tips in one line, feeling with the pad. Not with the thumb: it has a strong pulse of its own.
  8. Equal pressure. All three equally firm. Some sources have the middle finger press a fraction more lightly: otherwise the bone under guan makes that position seem stronger.
  9. Together, then apart. First three fingers at once at three levels, then position by position (step 6). Fifty beats or one minute on each side, so that you do not miss a dropped beat (Ling Shu 5).
  10. Both sides, then record. Compare left with right; first write down features, only then a name (lesson 2).

Textbook. How the book describes the method: ch. 25 pp. 374 to 380.

Step 5   The positions

Six positions, two maps

The Zang lie in the same place in every map. If you think in channels, you put the Intestines with their partner (Heart and Lungs, at cun); if you think in body space, you put them in the lower abdomen (at chi).

PositionMap A: Intestines with their channelMap B: Intestines in the lower abdomen
left cunHeart, Small IntestineHeart (and the centre of the chest)
left guanLiver, Gall-BladderLiver, Gall-Bladder
left chiKidney, BladderKidney, Bladder, one of the Intestines
right cunLungs, Large IntestineLungs (and the chest)
right guanSpleen, StomachSpleen, Stomach
right chiKidney, Ming MenKidney (Yang), Ming Men, the other Intestine

Map A follows the Mai Jing (3rd century), with right chi as Ming Men after Nan Jing 36. Map B is the common line in herbal medicine and later textbooks; which intestine lies on the left and which on the right at chi differs between sources. Which map the book uses: ch. 25 pp. 374 to 380.

Step 6   The depths

Light, medium, deep: how to find them

The Nan Jing knows five layers, each with the tissue of an organ: 3 beans skin and Lungs, 6 vessels and Heart, 9 flesh and Spleen, 12 tendons and Liver, to the bone the Kidneys (Nan Jing 5). In practice you work with three.

Light: lifting (ju)Release the pressure until you can only just feel the pulse. Is it already clear here, or only lower down?
Medium: searching (xun)In between, and shift or roll slightly back and forth: here you feel shape, width and length best.
Deep: pressing (an)Press until the pulse disappears and release until it just comes back: that is the deep level, and that is where the root is.
LevelReading 1 (textbook)Reading 2 (textbook)
lightQi and Yang; the Futhe exterior: a pathogen from outside
mediumBloodStomach and Spleen: the Stomach-Qi
deepYin; the Zang, especially Liver and Kidneysthe interior: the organs, the root

Together and apart. Zong an: three fingers at once, for the whole. Dan an: one finger per position, the others slightly lifted. Do not read the levels mechanically as "Fu on top, Zang deep": they help you see a shift between exterior and interior.

Nan Jing 4 and 5; the two readings and the techniques are textbook, following the Chinese standard textbooks and English-language textbook traditions.

Step 7   The healthy pulse

Shen, Stomach-Qi, root, and a vessel that runs differently

You read every deviation against a healthy pulse, with three features that overlap.

ShenSupple, with strength, regular. If it is missing, the pulse is weak and disordered, or on the contrary hard without any suppleness.
Stomach-QiCalm, evenly filled, not too fast and not too slow: soft and moderate. Without Stomach-Qi the pulse becomes sharp, hard or empty; the Su Wen calls that a bad sign (Su Wen 18).
RootStill felt on deep pressure, especially at chi. If it is missing, everything gives way under pressure: the foundation of the Kidneys has been drawn on.
lightmediumdeep0 s1 s2 s3 s4 s70/minwith root
Pulse report
Depthat all three levels, fullest in the middle
Rateabout 70 per minute (normal)
Rhythmregular
Widthnormal
Lengthacross the three positions
Strengthpushes back calmly
Smoothnesssupple and even
Tensionsupple
Schematic: healthy, felt at all levels.
lightmediumdeep0 s1 s2 s3 s4 s70/minrootless
Pulse report
Depthwith light pressure, disappears with deep pressure
Rateabout 70 per minute (normal)
Rhythmregular
Widthwide
Lengthacross the three positions
Strengthweak, gives way under pressure
Smoothnesssoft, without shape
Tensionslack, without tension
Schematic: felt on top, almost gone on deep pressure.

The rate of a healthy pulse

Four to five beats per breath of a calm practitioner (Su Wen 18); at 15 to 18 breaths per minute that is roughly 60 to 90 per minute. Textbooks give narrower figures (the Chinese standard textbook about 72 to 80); treat the number as a direction, not a limit. So count by the clock as well (lesson 2). Children are faster; a trained endurance athlete may be under 60 without Cold.

A vessel that runs differently

Fan guan mai (反关脉). The artery runs on the back of the wrist. At the usual place you feel nothing; on the back a clear pulse. A normal variant, not a deficiency.

Xie fei mai (斜飞脉). The artery runs off at a slant from chi towards the back of the hand. Cun and guan seem empty while nothing is missing. Follow the vessel.

Textbook. What changes a normal pulse (season, age, training, meals, pregnancy): lesson 8 of this module.

Ch. 25 pp. 374 to 380: read how the book divides the positions and which map it uses, how it describes the levels and the method, and what it understands by a normal pulse. Note where the book differs from steps 4 to 7.

Step 8   Case

A pulse missing on the right

Case. Woman, 46, tired for months, dizzy when standing up quickly, blurred vision in the evening, cramps in the calves, scanty periods. On the left you feel a calm, regular pulse of 72 per minute, thin but clear. On the right you feel nothing at the usual place.

Left wristcunthinguanthinchithinRight wristcunabsentguanabsentchiabsentat the usual place
Schematic: left thin, right nothing at the usual place.
lightmediumdeep0 s1 s2 s3 s4 s72/minleft
Pulse report
Depthat all three levels, fullest in the middle
Rateabout 72 per minute (normal)
Rhythmregular
Widththin as a thread
Lengthacross the three positions
Strengthpushes back calmly
Smoothnesssupple and even
Tensionsupple
Schematic: the left pulse, thin but clear.

First. Is the right hand cold, pale, painful or numb? Then emergency services (112). If not: search for the pulse around it and measure the blood pressure on both arms. With a difference of 10 mmHg or more: a GP. Tired, dizzy and pale: Hb and ferritin.

Red flag

Both hands warm and pink, no pain, no tingling. Blood pressure left 118/76, right 116/74: no meaningful difference.

Searching

On the back of the right wrist a clear pulse is beating: fan guan mai, an artery that runs differently. So the right side is not empty; you just cannot compare the right positions in the usual way here. Note that.

What you can read

Rate, rhythm and width of the whole, and the left pulse: calm, regular, thin. Thin points to too little Blood or Yin.

The tongue

Pale, Thin, the sides palest, slightly dry: Blood deficiency, with the Liver in the picture.

Adding up

Blurred vision, cramps, scanty periods, Pale Thin tongue, thin pulse: Liver-Blood deficiency. Neighbour: Heart-Blood deficiency (then palpitations and trouble falling asleep come to the fore).

Principle

Nourish Liver-Blood, once Hb and ferritin are known.

Learning point

A missing pulse is first a vascular question, then an anatomical question, and only after that perhaps a TCM finding.

Step 9   Read it yourself

Four times six positions

Which position deviates, which body region and which organ go with it, and which pattern would you test? Then choose A to D to compare your reading.

Left wristcunnormalguannormalchinormalRight wristcunemptyguannormalchinormalA
Schematic, positions A.
Left wristcunnormalguanwirychinormalRight wristcunnormalguanweakchinormalB
Schematic, positions B.
Left wristcunnormalguannormalchiweakRight wristcunnormalguannormalchiweakC
Schematic, positions C.
Left wristcunoverflowingguannormalchinormalRight wristcunnormalguannormalchinormalD
Schematic, positions D.

Practise further in the visual trainer: Read the pulse.

Step 10   Practice

Position, depth and technique

Flashcards

Step 11   Pitfalls

Where it goes wrong

  • Pressing hard straight away. Then the light level is gone before you have felt it. Always lift first.
  • Feeling only lightly. You can only read a pulse that is strong on top once you also know the depth: that is where the difference lies between an Exterior pattern and Yin that cannot hold the Yang.
  • Fingers at a fixed distance. The positions scale with the arm.
  • The middle finger too heavy. Guan then feels stronger than it is.
  • Feeling too briefly. In ten beats you miss a pause; feel fifty beats or one minute.
  • No pulse means deficiency. First the vessels (cold hand, blood pressure on both arms), then the anatomy (fan guan mai, xie fei mai), only then the TCM.
  • The positions as anatomy. Left guan is not the liver under your finger, and where the Intestines lie differs from map to map.
  • Forgetting context. Cycling, coffee, a meal, medication: note them, and feel again after rest.
Step 12   Bridge to physiology

Feeling the pulse, as a hypothesis

Left and right differ grade B

In sixteen studies, 3.6 per cent of the general adult population had a difference in systolic pressure of 10 mmHg or more between the arms, 7.4 per cent of people with diabetes and 11.2 per cent of people with high blood pressure; measuring one arm after the other instead of simultaneously overestimated the difference about threefold (Clark 2016, meta-analysis). In 24 cohorts with 53,827 participants, every 5 mmHg of difference was associated with slightly higher mortality (hazard ratio 1.05); 10 mmHg was proposed as the upper limit of normal (Clark 2021, individual participant data meta-analysis). Abstracts read. A clearly weaker pulse on one side is therefore a vascular finding first; "right side empty" as a TCM interpretation remains grade C. Testable via the pulse judgement per side alongside blood pressure on both arms.

The positions differ measurably grade B

In 148 healthy adults, felt with a fixed procedure and concrete definitions, cun, guan and chi differed in some of the features; the pulse could be felt beyond chi in 90 per cent of the men and 56 per cent of the women, and there was little support for fixed differences between left and right by sex (King 2002; abstract). Hypothesis: part of the difference between the positions is anatomy (the bone under guan, softer tissue under chi). Whether the positions show organs has never been tested (C). Testable via ultrasound of the artery at the three positions alongside a blind judgement per position.

Why fifty beats grade B

In a meta-analysis of 21 studies, pulse palpation detected atrial fibrillation with a sensitivity of 92 and a specificity of 82 per cent against an ECG; an automatic blood pressure monitor scored 98 and 92 per cent (Taggar 2016; abstract). Finding an irregular rhythm is therefore the best-supported part of feeling the pulse, and for that you need to feel for long enough. Testable: count the dropped beats per minute, and refer.

Proposals, not equations. For all studies only the abstract was read. To think about: which part of what you feel is the artery and the tissue around it, and which part could be the state of an organ?

Step 13   Discussion

Discussion questions

Discuss them with your study group, your teacher or an experienced acupuncturist.

  1. How do you let a beginner feel the difference between the middle and the deep level, on one and the same pulse?
  2. Which map of the positions do you use, and how do you deal with the Intestines?
  3. When do you measure the blood pressure on both arms before you compare left and right?
Done

Finish the lesson

Work through the practice questions until you get them all right first time, then mark the lesson as done below; your flashcards then go into your review deck. If you have the book, read the required pages shown in the book box at the top.